![]() ![]() Just because a certain camera isn’t on this list, doesn’t mean it’s not good. There are more choices now than ever before, and where some cameras excel, others seem to fall by the wayside.įor that reason, I decided to put together a list of my top 4 DSLRs or Mirrorless cameras for 2017.Īs you read through the list, please take into account a few things:įirst off, this list is simply based on my own opinion as a filmmaker… One that mainly shoots narrative and commercial content. At the same time, the market is also more confusing than ever. These are just a couple of the reasons why the DSLR/Mirrorless market for video is still thriving today. And while it may technically be possible to pull high-res stills from your 4K digital cinema camera, the workflow and ergonomics that go along with doing so are less than ideal. Whether the camera is being used to gather production stills, promo material, reference shots, or anything else for that matter, there is something to be said about having the ability to capture incredible stills with the same tool that you’re using to capture your video content. Not to mention, DSLRs/Mirrorless cameras come with the added benefit of excellent still photo capabilities, which is certainly an asset for many filmmakers. It will never offer all of the features of a true cinema camera, but it will offer a level of convenience and accessibility that is unmatched by almost any other type of camera on the market. This means it will be physically lighter, easier to travel with, easier to mount/rig, and more accessible at a moments notice. ![]() It’s also about the usability… Assuming you are shooting on a DSLR/Mirrorless camera that isn’t fully rigged up with loads of accessories, it’s footprint is going to be very small. DSLRs are literally everywhere, and for shooters that need to keep a low profile, there is arguably no better way than by shooting on a camera that will literally blend into the background.īut it’s not just about what you can get away with when shooting on a DSLR. And while many productions may prefer to shoot with cameras that offer a more traditional form factor, DSLRs and Mirrorless cameras continue to offer benefits that simply can not be ignored.įor one, they afford us the ability to be conspicuous. Filmmakers that need to shoot guerrilla style simply don’t have the luxury of walking around with an Arri Alexa on their shoulder – even if they can afford one. Today, filmmakers and content creators have a lot of choice when it comes to camera gear. After all, why would people keep shooting video on DSLRs when they could now achieve the same quality level on a cameras with better ergonomics? As it turned out though, there was room in the market for both – which is why DSLRs/Mirrorless cameras are as relevant today as ever before. A few years ago when large sensor camcorders like the Canon C300 and Sony FS100 first hit the market, many of us thought the DSLR revolution was going to die. ![]()
0 Comments
Leave a Reply. |